The specifications on the new Canon EOS-M mirrorless camera are out. The new mirrorless system will indeed have a proper APS-C sized sensor and a few other bells and whistles noted in the press release from BH Photo. I think this will be a great addition to the current Canon line up. The smaller sized mirrorless cameras are great Director’s cameras and can work well as a back up system or B camera. The...Read More
Canon Rumors has the breakdown for the highly anticipated new Canon EOS-M Mirrorless camera. It will indeed have a S35 or APS-C sized sensor with a whopping 18MP. Video specs are good as well with 24P and the lame standard Canon 720 60P. Not quite on par with the Sony NEX 5N system yet. The only spec we have yet to get is price. If this puppy is sub $600 B/O then we may...Read More
Canon Rumors announced a new mirrorless camera from Canon. The Canon M with EF-M Mount lenses. Let’s hope this is solid info. We could use a smaller form factor camera that will take Canon EF lenses for some time. Please give us a real S35 sensor and not that tiny size stuff! Here is a rip from the engadget post. “It was reportedly leaked by retail sites and captured by Digicame-info, and it appears...Read More
We are proud to announce that “Grand comme le Baobab” AKA “Tall As A Baobab Tree” got into the Montreal Film Festival. This was the first feature that Wide Open Camera helped produce. Wish us luck and follow the journey to Canada. Here is a rip from Director Jeremy Teicher’s email. “We are very excited to announce our WORLD PREMIERE will be held at the Montreal World Film Festival (Festival des Films du Monde)...Read More
Last week I posted about how camera companies need to step up their game now that competition is starting to come to fruition in the 4K market. Red was one of the first companies to truly push 4K (okay 3.2K). This is a true testament to the power of good marketing. Red made good on true 4K with the MX upgrade, Scarlet and Epic years later. The 4K push from Red was something most...Read More
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. The complete workflow through web delivery. Depending on your hardware capabilities you can choose to cut the h.264 files natively or transcode to an...Read More
Works for all AVCHD media. Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: http://www.avid.com/US/products/Avid-Media-Access/plug-ins I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. The complete workflow through web delivery. Depending on...Read More
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