What I like about Red Epic…and what I don’t like about Red
Last week I posted about how camera companies need to step up their game now that competition is starting to come to fruition in the 4K market. Red was...Read More
Last week I posted about how camera companies need to step up their game now that competition is starting to come to fruition in the 4K market. Red was...Read More
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36...Read More
Works for all AVCHD media. Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: http://www.avid.com/US/products/Avid-Media-Access/plug-ins I’m using Symphony 6 here but the workflow...Read More
Works with RED One, RED MX, and RED EPIC files up to 5K. Does not work with HDRx. Scarlet support coming soon. Make sure to download the RED plugin...Read More
Moore’s law is the observation that over the history of computing hardware, the number of transistors on integrated circuits doubles approximately every two years. I think this law has...Read More